>> TASTES LIKE CHICKEN
Is a forthcoming solo exhibition at Block 336, in London, Brixton, from September- October. It will feature the major film work: The Unspeakable Freedom Device presented as as a full scale installation and a brand new video work called Animal Condensed/Animal Expanded (more info on that to follow soon)
Private view: 23.9.16 | 6 – 10 pm……Exhibition: 24.9.16 – 21.10.16
VIEW THE TRAILER FOR THE UNSPEAKABLE FREEDOM DEVICE HERE:
More info on the UNSPEAKABLE FREEDOM project HERE
THE UNSPEAKABLE FREEDOM DEVICE SHOWED as an installation at
UTAH MUSEUM OF CONTEMPORARY ART
Salt Lake City, USA
An experimental fiction book of the same name, published by Book Works is also on sale buy it HERE
Artists Behind BarsMatt’s
Gallery and X Marks the Bökship
Saturday 23 April 2016
I tested out a new performance work here at Acts RE-ACts (the cover image is from my performance/Video.. ‘NOW is a GREAT TIME’.. more performances coming soon)
THE UNSPEAKABLE FREEDOM DEVICE
screened all day at
Saturday 21st November as part of
G.S.O.H. The Rest is Dark, The Rest is Dark
THE UNSPEAKABLE FREEDOM DEVICE
3rd July – 22 August 2015
AS AN EPIC INSTALLATION SHOW
THE UNSPEAKABLE FREEDOM DEVICE is an experimental narrative film and multi screen/sculptural installation work that occupies all of the 4 gallery spaces of GRUNDY. The narrative follows two women through a bizarre, broken landscape of collapsing signs and imploding meanings, on a pilgrimage to the Winter Gardens, Blackpool to cure their green baby. Our characters become entangled in a cargo-cult of Margaret Thatcher and buy a Thatcher Doll which spouts quotations when they pull its string. This project explores the idea of the image of Margaret Thatcher as an after-burn on the collective memory of our culture. In this fantastic, primitive-future world, the difference between technology and magic has become incomprehensible. More info HERE…
On Saturday 5th July there was a one day Seminar at Grundy Gallery with Speakers Martin Rowson ( Guardian Cartoonist) Esther Leslie (professor in political aesthetics) Sally O’Reilly, Jennifer Thatcher, Alwyn Turner and a new music/text performance work by Leo Chadburn .
As a run-up to this show, the film toured to 4 artist-run venues around England in April 2015 with debates from speakers and audience, and live performance. Documentation of these events is now HERE
GRAND UNION BIRMINGHAM 9 April
Speakers: Erica Scourti, Tim Dixon, and Zara Dinnen
PRIMARY NOTTINGHAM 16 April
Speakers: Jennifer Thatcher, Sonya Dyer and Niki Russell
OUTPOST NORWICH 23rd April
Speakers: Oreet Ashery, Melanie Jackson, Paul O’Kane
CUBE BRISTOL 30 April
Speakers: Pil and Galia Kollectiv, Esther Leslie, Isobel Harbison
THE ADVICE SHAPE
WAS IN THE SHOW
June 3 to 27, 2015
Speculative Frictions is a media installation exploring constructed cinematic landscapes, narratives restructured though repurposed footage/sound and tropes of speculative fiction and surrealism. It comprises the works Petite histoire des plateaux abandonnés (di Martino), Handful of Dust (Tucker), 21 Chitrakoot (Kaul) and The Advice Shape (Thomas).
CLICK ON THE IMAGE TO READ ALL ABOUT IT
Assembly: A Survey of Recent Artists’ Film and Video in Britain
2008–2013 Tate Britain, Clore Auditorium
on Monday 9th December
I AM YOUR ERROR MESSAGE
Video + Installation+ live performance performance
with: Goodiepal, Luke McCreadie, Plastique Fantastique, Alexander Stevenson, Jennet Thomas
Je cherche en même temps l’éternel et l’éphémère
Seeking the eternal and the ephemeral in the nonsensical, abstract and mythical, Grand Union presents Magic Eye: a group exhibition of sculpture, installation and video, activated by a festival of performance, screenings and music.
The works have in common a self-consciously progressive reaching for the transcendental and a questioning of scientific or rational methodology and conventional ideas of knowledge.
The exhibition features the UK premier of Jennet Thomas’s new installation I AM YOUR ERROR MESSAGE. By turns absurd, amusing and unsettling, the video suggests malfunction and misinformation in Thomas’s anarchistic and bleakly humorous style. For the festival Thomas will enter into a dialogue with her video work.
13 July – 10 August 2013 click HERE for full info (festival is on Sat 20th July)
This work also toured a number of venues in the US and UK including
REACTOR HALLS for a review of this show in THE DOUBLE NEGATIVE HERE
The Dark Horse Moving Picture Show
was a steaming, full-to-capacity success…
FRIDAY 5th APRIL 2013
Doors Open 7.30pm – show starts 8.00pm sharp – £4.00
The Dark Horse Moving Picture Show is a Film and Live Performance event by Jennet Thomas and Paul Tarragó featuring special guest Leo Chadburn (a.k.a. Simon Bookish). It will premiere brand new Film/Performance/Music works by all three artists, as well as explore work from their extensive back catalogues of films and songs. This rich and strange cocktail of aesthetic pleasures, urgent ideas and cerebral experimentations will explore new hybrid territories that include a Mystery Event, and a Quiz with Prizes…
SCHOOL OF CHANGE- THE SHOW -was at MATT’s GALLERY- did you miss it? Well here’s a 3 minute film exploring the sculptural/performative Installation
Below is the trailer for the 42 minute Sci-Fi Experimental musical film inside the installation . Click HERE for info on the Matt’s Gallery pages
CLICK HERE TO READ AN ENTERTAINING AND INFORMATIVE DIALOGUE ABOUT ‘SCHOOL OF CHANGE’ BETWEEN RACHEL WITHERS, LEO CHADBURN AND JENNET
The Live Show: ‘SCHOOL OF CHANGE -the recruitment‘ was at Camden Arts Centre Dec 17th .. and outpost gallery October 26th
SCHOOL OF CHANGE is a new franchise of girls’ schools, existing in a post-apocalyptic future, so radical it threatens the working of reason itself. SCHOOL OF CHANGE attempts to shore up against this breakdown, to educate a new generation to adapt, building an alternative ‘hive mind’ that has a new, stronger kind of logic.
Each student’s learning is bio-technically monitored and assessed through the Personal Circle lodged inside them. High-scoring pupils perform their learning through a rhythmic song and action practise: ‘the Production’. This trance-like group activity produces small solids – Units of Knowing – the currency through which the new economy tries to function.
This work is a musical collaboration with composer and performer Leo Chadburn (aka) Simon Bookish
Leo Chadburn (aka Simon Bookish) performs as Mr New Structures-
SCHOOL OF CHANGE is a project that collides genres and ideas; a sci-fi musical + experimental narrative film, based in another reality where a number of rapid changes; geographical, organic, mathematical – even mutations in the workings of reason itself- are threatening the viability of human society.
The film lasts 42 minutes, the action taking place over one day inside a School – its classrooms, canteen, staff room, playing fields, will be filmed in my old secondary school. We see the results of ‘the Changes’ played out within this microcosm, during the first- and last- day at school of the New Girl, who has been brought in to replace a student who ‘faded away’. She is ‘The New Tenth’ and as she joins her class, 2a, an exact replica of her also joins class 2b, 2c, and 2d. The School appears to be part of a franchise of ‘Schools of Change’: an initiative to shore up against this breakdown, to educate and prepare a new generation to adapt. Ritual, music and rhythm are deployed continually in the daily routine to help stitch together the community, raise the spirits, and possibly build some kind of alternative ‘hive mind’ that has a new, stronger kind of logic.
Students learn a New Mathematics to cope with the increasing difficulty of all attempts to measure or calculate objectively – now that mathematical laws only work for the very old . Some of this is very familiar- a teacher stands at the front of the class disseminating facts,
manipulating diagrams and doing demonstrations, but then it frequently becomes strange; each student’s learning score is continuously, biolo-technically monitored, and those who score the highest perform their learning
into an actual, physical result through a peculiar rhythmic song and action practise- a kind of clapping, conjuring game called ‘the Production’. This trance like group activity produces small colourful solids; the Units of Knowing –
these are of immense value, fit together like a puzzle, and are evidently the currency through which the new economy functions.
This project is an ambitious development of core themes that run through my work; a skewed reflection on contemporary fears and desires for radical change, both social and spiritual.
‘ Echo vs Gown ‘
Performed on June 18th as part of ‘This is not a Performance or a Lecture’ for RADAR Was apparently a HIT…so we did it again…on Monday 17th October I was commissioned by RADAR to make a new work for their programme ‘This Is Not A Performance or a Lecture!’ presented on Saturday 18th June 2011, at a kind of festival of 7 of these commissions around the campus at Loughborough University. Other artists include Janice Kerbel and Pil and Galia Collectiv. I’m developed a new 2- handed performance piece ‘ECHO vs. GOWN’ which takes two very different local texts as its material starting point; the Loughborough Echo newspaper, and the Loughborough University website ( specialist subject: Sport Science and Systems Engineering) A dialectic-cum- duel will be fought as a 2-handed illustrated lecture between the costumed personifications ‘Echo’ and ‘Gown’; a live collage of absurd collisions in rhetoric, sound, text and image, mining through explosions the latent ideologies, varied human aspirations and mysteries of Loughborough life. The methodology is poetic, analytical and mischievous, sometimes making hard sense, sometimes making a structured anarchy of sense-making nonsense.
Life of the Mind- at New Art Gallery Walsall 21 January – 20 March 2011
My Video installation ‘Return of the Black Tower [after John Smith]’ showed from January to March 2011 as part of ‘ The Life of the Mind’ at New Art Gallery Walsall, curated by Bob and Robetra Smith. Watch the complete video here
Click HERE for info about the work as it showed at PEER. 21 January – 20 March 2011