My next project is an experimental narrative film + multimedia installation, a solo show for the Grundy Gallery, Blackpool,


THE UNSPEAKABLE FREEDOM DEVICE IS a kind of warped Folk-tale, the film follows two women through a bizarre, broken landscape of collapsing signs and imploding meanings, on a pilgrimage to the Winter Gardens to cure their green baby. In this fantastic, primitive-future world, the difference between technology and magic has become incomprehensible. Our characters become entangled in a cargo-cult of  and buy a Thatcher Doll which spouts  quotations when they pull its string. This project explores the idea of the image of Margaret Thatcher as an after-burn on the collective memory of our culture, taking inspiration from a Martin Rowson cartoon that depicts Margaret Thatcher’s funeral as a tribal ritual in some obscure ‘savage’ culture, as well as other touchstones such as the novel Riddley Walker by Russell Hoban. It uses the fantastic location of the Winter Gardens, Blackpool, to explore, through speculative fantasy, the cultural legacy of the Conservative Party conferences that took place there during the rise of Margaret Thatcher. for a bit more info, and more images click HERE…






to show at

Assembly: A Survey of Recent Artists’ Film and Video in Britain

2008–2013  Tate Britain, Clore Auditorium

on Monday 9th December



was in the group show MAGIC EYE, at GRAND UNION, Birmingham

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Video + Installation+ live performance performance

with: Goodiepal, Luke McCreadie, Plastique Fantastique, Alexander Stevenson, Jennet Thomas

Je cherche en même temps l’éternel et l’éphémère

Seeking the eternal and the ephemeral in the nonsensical, abstract and mythical, Grand Union presents Magic Eye: a group exhibition of sculpture, installation and video, activated by a festival of performance, screenings and music.

The works have in common a self-consciously progressive reaching for the transcendental and a questioning of scientific or rational methodology and conventional ideas of knowledge.

The exhibition features the UK premier of Jennet Thomas’s new installation I AM YOUR ERROR MESSAGE. By turns absurd, amusing and unsettling, the video suggests malfunction and misinformation in Thomas’s anarchistic and bleakly humorous style. For the festival Thomas will enter into a dialogue with her video work.

13 July     – 10 August 2013 click HERE for full info (festival is on Sat 20th July)


The Dark Horse Moving Picture Show– was a steaming, full-to-capacity success…

DHMPS Final Logo#1



Collonade, Bloomsbury

London WC1N

Doors Open 7.30pm – show starts 8.00pm sharp – £4.00

The Dark Horse Moving Picture Show is a Film and Live Performance event by Jennet Thomas and Paul Tarragó featuring special guest Leo Chadburn (a.k.a.  Simon Bookish). It will premiere brand new Film/Performance/Music works by all three artists, as well as explore work from their extensive back catalogues of films and songs. This rich and strange cocktail of aesthetic pleasures, urgent ideas and cerebral experimentations will explore new hybrid territories that include a Mystery Event, and a Quiz with Prizes…


SCHOOL OF CHANGE- THE SHOW -was at  MATT’s GALLERY- did you miss it? Well here’s a 3 minute film exploring the sculptural/performative Installation

Below is the trailer for the  42 minute Sci-Fi Experimental musical  film  inside the installation . Click HERE for info on the Matt’s Gallery pages

CLICK HERE to read what the Guardian said about me


The Live  Show: ‘SCHOOL OF CHANGE -the recruitment‘ was at Camden Arts Centre Dec 17th .. and outpost gallery October 26th

SCHOOL OF CHANGE is a new franchise of girls’ schools, existing in a post-apocalyptic future, so radical it threatens the working of reason itself. SCHOOL OF CHANGE attempts to shore up against this breakdown, to educate a new generation to adapt, building an alternative ‘hive mind’ that has a new, stronger kind of logic.

Each student’s learning is bio-technically monitored and assessed  through the Personal Circle lodged inside them. High-scoring pupils perform their learning through a rhythmic song and action practise: ‘the Production’. This trance-like group activity produces small solids – Units of Knowing – the currency through which the new economy tries to function.

This work is a musical collaboration with composer and performer Leo Chadburn (aka) Simon Bookish

Leo Chadburn (aka Simon Bookish) performs as Mr New Structures-

SCHOOL OF CHANGE is a project that collides genres and ideas; a sci-fi musical + experimental narrative film, based in another reality where a number of rapid changes; geographical, organic, mathematical – even mutations in the workings of reason itself- are threatening the viability of human society.

The film  lasts 42 minutes, the action taking place over one day inside a School – its classrooms, canteen, staff room, playing fields, will be filmed in my old  secondary school. We see the results of ‘the Changes’ played out within this microcosm, during the first- and last- day at school of the New Girl, who has been brought in to replace a student who ‘faded away’. She is ‘The New Tenth’ and as she joins her class, 2a, an exact replica of her also joins class 2b, 2c, and 2d. The School appears to be part of a franchise of ‘Schools of Change’: an initiative to shore up against this breakdown, to educate and prepare a new generation to adapt. Ritual, music and rhythm are deployed continually in the daily routine to help stitch together the community, raise the spirits, and possibly build some kind of alternative ‘hive mind’ that has a new, stronger kind of logic.

Students learn a New Mathematics to cope with the increasing difficulty of all attempts to measure or calculate objectively – now that mathematical laws only work for the very old .  Some of this is very familiar- a teacher stands at the front of the class disseminating facts,
manipulating diagrams and doing demonstrations, but then it frequently becomes strange; each student’s learning score is continuously, biolo-technically monitored, and those who score the highest perform their learning
into an actual, physical result through a peculiar rhythmic song and action practise- a kind of clapping, conjuring game called ‘the Production’.  This trance like group activity produces small colourful solids; the Units of Knowing –
these are of immense value, fit together like a puzzle, and are evidently the currency through which the new economy functions.

This project is an ambitious development of core themes that run through my work; a skewed reflection on contemporary fears and desires for radical change, both social and spiritual.

‘ Echo vs Gown ‘

Performed on June 18th as part of ‘This is not a Performance or a Lecture’ for RADAR Was apparently a HIT…so we  did it again…on Monday 17th  October I  was commissioned by RADAR to make a new work for their  programme ‘This Is Not A Performance or a Lecture!’ presented on Saturday 18th June 2011,  at a kind of festival of 7 of these commissions around the campus at Loughborough University. Other artists include Janice Kerbel and  Pil and Galia Collectiv. I’m developed a new 2- handed performance piece ‘ECHO vs. GOWN’ which takes two very different local texts as its material starting point; the Loughborough Echo newspaper, and the Loughborough University website ( specialist subject: Sport Science and Systems Engineering) A dialectic-cum- duel will be fought as a 2-handed illustrated lecture between the costumed personifications ‘Echo’ and ‘Gown’; a live collage of absurd collisions in rhetoric, sound, text and image, mining through explosions the latent ideologies, varied human aspirations and mysteries of Loughborough life. The methodology is poetic, analytical and mischievous, sometimes making hard sense, sometimes making a structured anarchy of sense-making nonsense.

Life of the Mind- at New Art Gallery Walsall 21 January – 20 March 2011

My Video installation ‘Return of the Black Tower [after John Smith]’ showed from January to March 2011 as part of ‘ The Life of the Mind’ at New Art Gallery Walsall, curated by Bob and Robetra Smith. Watch the complete video here

Click HERE for info about the work as it showed at PEER. 21 January – 20 March 2011

‘Return of the Black Tower [after John Smith]’